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Luce Irigaray

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Luce Irigaray
Born (1930-05-03) 3 May 1930 (age 94)
Blaton, Bernissart, Wallonia, Belgium
NationalityFrench
Alma materCatholic University of Louvain
EraContemporary philosophy
RegionWestern philosophy
SchoolContinental philosophy
French feminism[1]
Main interests
Linguistics,

Psychoanalysis, Feminist Philosophy, Feminist Theory, Philosophy, Psychology, Schizophrenia

Gender identity
Notable ideas
Phallocentrism, "Women on the market"[2]
Part of a series on
Feminist philosophy
female symbol merged with a question mark
Major works
Major thinkers
Ideas
Journals
Category
Feminist philosophy

Luce Irigaray (born 3 May 1930) is a Belgian-born French feminist, philosopher, linguist, psycholinguist, psychoanalyst, and cultural theorist who examines the uses and misuses of language in relation to women.[4] Irigaray's first and most well known book, published in 1974, was Speculum of the Other Woman (1974), which analyzes the texts of Freud, Hegel, Plato, Aristotle, Descartes, and Kant through the lens of phallocentrism. Irigaray is the author of works analyzing many thinkers, including This Sex Which Is Not One (1977),[5] which discusses Lacan's work as well as political economy; Elemental Passions (1982) can be read as a response to Merleau‐Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible,[6] and in The Forgetting of Air in Martin Heidegger (1999), Irigaray critiques Heidegger's emphasis on the element of earth as the ground of life and speech and his "oblivion" or forgetting of air.[7]

Irigaray employs three different modes[8] in her investigations into the nature of gender, language, and identity: the analytic, the essayistic, and the lyrical poetic.[9] As of October 2021, she is active in the Women's Movements in both France and Italy.[10]

Education

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Luce Irigaray received a bachelor's degree from the University of Louvain in 1954, a master's degree from the same university in 1956,[11] and taught at a high school in Brussels from 1956 to 1959.

In 1960, she moved to Paris to pursue a master's degree in Psychology from the University of Paris, which she earned in 1961. She also received a specialist diploma in Psychopathology from the school in 1962. In 1968, she received a doctorate in Linguistics from Paris X Nanterre. Her thesis was titled Approche psycholinguistique du langage des déments.

She completed a PhD in linguistics in 1968 from the University of Vincennes in Saint-Denis (University of Paris VIII). Her dissertation on speech patterns of subjects suffering from dementia became her first book, Le langage des déments, published in 1973. In 1974, she earned a second PhD in Philosophy.

In the 1960s, Irigaray started attending the psychoanalytic seminars of Jacques Lacan and joined the École Freudienne de Paris (Freudian School of Paris), directed by Lacan. She was expelled from this school in 1974, after the publication of her second doctoral thesis (doctorat d'État), Speculum of the Other Woman (Speculum: La fonction de la femme dans le discours philosophique, later retitled as Speculum: De l'autre femme), which received much criticism from both the Lacanian and Freudian schools of psychoanalysis. This criticism brought her recognition, but she was removed from her position as an instructor at the University of Vincennes as well as ostracized from the Lacanian community.

She held a research post at the Centre national de la recherche scientifique since 1964, where she is now a Director of Research in Philosophy. Her initial research focused on dementia patients, about whom she produced a study of the differences between the language of male and female patients.

It has also been noted that in her writings, Irigaray has stated a concern that an interest in her biography would affect the interpretation of her ideas, as the entrance of women into intellectual discussions has often also included the challenging of women's point of view based on biographical material. Her most extensive autobiographical statements thus far are gathered in Through Vegetal Being (co-authored with Michael Marder). Overall, she maintains the belief that biographical details pertaining to her personal life hold the possibility to be used against her within the male dominated educational establishment as a tool to discredit her work.[4] However, at age 91, she published A New Culture of Energy: Beyond East and West (2021) in which she discusses her decades-long practices of yoga asanas (postures) and pranayama (breathing) and maintains that yoga builds a bridge between body and spirit.

Major works

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This Sex Which is Not One (Ce sexe qui n'en est pas un)

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In 1977, Irigaray published This Sex Which is Not One (Ce sexe qui n'en est pas un) which was subsequently translated into English with that title and published in 1985, along with Speculum. In addition to more commentary on psychoanalysis, including discussions of Lacan's work, This Sex Which is Not One also comments on political economy, drawing on structuralist writers such as Lévi-Strauss. For example, Irigaray argues that the phallic economy places women alongside signs and currency, since all forms of exchange are conducted exclusively between men.[12]

"Women on the Market" (Chapter Eight of This Sex Which is Not One)

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Irigaray draws upon Karl Marx’s theory of capital and commodities to claim that women are exchanged between men in the same way as any other commodity is. She argues that our entire society is predicated on this exchange of women. Her exchange value is determined by society, while her use value is her natural qualities. Thus, a woman’s self is divided between her use and exchange values, and she is only desired for the exchange value. This system creates three types of women: the mother, who is all use value; the virgin, who is all exchange value; and the prostitute, who embodies both use and exchange value.[12]

She further uses additional Marxist foundations to argue that women are in demand due to their perceived shortage and as a result, males seek "to have them all," or seek a surplus like the excess of commodity buying power, capital, that capitalists seek constantly. Irigaray speculates thus that perhaps, "the way women are used matters less than their number." In this further analogy of women "on the market," understood through Marxist terms, Irigaray points out that women, like commodities, are moved between men based on their exchange value rather than just their use value, and the desire will always be surplus – making women almost seem like capital, in this case, to be accumulated. "As commodities, women are thus two things at once: utilitarian objects and bearers of value."[12]

Elemental Passions

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Luce Irigaray's Elemental Passions (1982) could be read as a response to Merleau‐Ponty's article “The Intertwining—The Chiasm” in The Visible and the Invisible. Like Merleau‐Ponty, Irigaray describes corporeal intertwining or vision and touch. Counteracting the narcissistic strain in Merleau‐Ponty's chiasm, she assumes that sexual difference must precede the intertwining. The subject is marked by the alterity or the “more than one” and encoded as a historically contingent gendered conflict.[6]

Criticism

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Some feminists criticize Irigaray's perceived essentialist positions.[13] However, there is much debate among scholars as to whether or not Irigaray's theory of sexual difference is, indeed, an essentialist one. The perception that her work is essentialist concentrates on her attention to sexual difference, taking this to constitute a rehearsal of heteronormative sexuality. As Helen Fielding states, the uneasiness among feminists about Irigaray's discussion of masculinity and femininity does not so much reveal Irigaray's heteronormative bias as much as it "arises out of an inherited cultural understanding [on the part of her critics] that posits nature as either unchanging organism or as matter that can be ordered, manipulated and inscribed upon. Hence the concern over essentialism is itself grounded in the binary thinking that preserves a hierarchy of...culture over nature."[14]

W. A. Borody has criticised Irigaray's phallogocentric argument as misrepresenting the history of philosophies of "indeterminateness" in the West. Irigaray's "black and white" claims that the masculine equates to determinateness and that the feminine equates to indeterminateness which contain a degree of cultural and historical validity, but not when they are deployed to self-replicate a similar form of the gender-othering they originally sought to overcome.[15]

In Fashionable Nonsense, Alan Sokal and Jean Bricmont criticized Irigaray's use of hard-science terminology in her writings. Among the criticisms, they question the purported interest Einstein had in "accelerations without electromagnetic reequilibrations"; confusing special relativity and general relativity; and her claim[16] that E = mc2 is a "sexed equation" because "it privileges the speed of light over other speeds that are vitally necessary to us".[17] In reviewing Sokal and Bricmont's book, Richard Dawkins wrote that Irigaray's assertion that fluid mechanics was unfairly neglected in physics due to its association with "feminine" fluids (in contrast to "masculine" solids) was "daffy absurdity".[18][19]

Selected bibliography

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Books

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  • Irigaray, Luce (1974). Speculum of the Other Woman. (Eng. trans. 1985 by Gillian C. Gill), ISBN 9780801493300.
  • Irigaray, Luce (1977). This Sex Which Is Not One. (Eng. trans. 1985), ISBN 9780801493317.
  • Irigaray, Luce (1980). Marine Lover: Of Friedrich Nietzsche. (Eng. trans. 1991 by Gillian C. Gill), ISBN 9780231070829.
  • Irigaray, Luce (1982). Elemental Passions. (Eng. trans. 1992), ISBN 9780415906920.
  • Irigaray, Luce (1983). The Forgetting of Air: In Martin Heidegger. (Eng. trans. 1999), ISBN 9780292738720.
  • Irigaray, Luce (1984). An Ethics of Sexual Difference. (Eng. trans. 1993 by Gillian C. Gill), ISBN 9780801481451.
  • Irigaray, Luce (1985). To Speak is Never Neutral. (Eng. trans. 2002), ISBN 9780826459046.
  • Irigaray, Luce (1987). Sexes and Genealogies. (Eng. trans. 1993 by Gillian C. Gill), ISBN 9780231070331.
  • Irigaray, Luce (1989). Thinking the Difference: For a Peaceful Revolution. (Eng. trans. 1993), ISBN 9780485114263.
  • Irigaray, Luce (1990). Je, tu, nous: Towards a Culture of Difference. (Eng. trans. 1993), ISBN 9780415905824.
  • Irigaray, Luce (1990). I Love to You: Sketch for a Felicity Within History. (Eng. trans. 1993), ISBN 9780415907323.
  • Irigaray, Luce (1994). Democracy Begins Between Two. (Eng. trans. 2000), ISBN 9780415918169.
  • Irigaray, Luce (1997). To Be Two. (Eng. trans. 2001), ISBN 9780415918145.
  • Irigaray, Luce (1999). Between East and West: From Singularity to Community. (Eng. trans. 2001), ISBN 9780231119351.
  • Irigaray, Luce (2000). Why Different?, ISBN 9780801493300.
  • Irigaray, Luce (2002). The Way of Love.ISBN 9780826473271.
  • Irigaray, Luce (2008). Sharing the World. (Eng. trans. 2008), ISBN 9781847060341.
  • Irigaray, Luce (2008). Conversations, ISBN 9781847060365.
  • Irigaray, Luce (2013). In the Beginning, She Was. ISBN 9781441106377
  • Irigaray, Luce; Marder, Michael (2016). Through Vegetal Being: Two Philosophical Perspectives. ISBN 9780231173865.
  • Irigaray, Luce (2017). To Be Born: Genesis of a New Human Being. ISBN 9783319392219.
  • Irigaray, Luce (2019). Sharing the Fire: Outline of a Dialectics of Sensitivity. ISBN 9783030283292.
  • Irigaray, Luce (2021). A New Culture of Energy: Beyond East and West. (Eng. trans. 2021), ISBN 9780231177139

See also

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References

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  1. ^ Kelly Ives, Cixous, Irigaray, Kristeva: The Jouissance of French Feminism, Crescent Moon Publishing, 2016.
  2. ^ Luce Irigaray, "Women on the Market", in: This Sex Which Is Not One, Cornell University Press, 1985, p. 170.
  3. ^ "God's Mother, Eve's Advocate: a Gynocentric Refiguration of Marian Symbolism in Engagement with Luce Irigaray" (PDF). 1998. Archived from the original (PDF) on 24 January 2022.
  4. ^ a b "Luce Irigaray: French linguist, psychoanalyst, and philosopher". Encyclopaedia Britannica. Retrieved 2019-10-29.
  5. ^ Gerstner, ed. (2006). Routledge International Encyclopedia of Queer Culture. New York: Routledge. pp. 309. ISBN 0-415-30651-5.
  6. ^ a b Sjöholm, Cecilia (2000). "Crossing Lovers: Luce Irigaray's Elemental Passions". Hypatia. 15 (3): 92–112. doi:10.1111/j.1527-2001.2000.tb00332.x. ISSN 1527-2001. S2CID 143882714.
  7. ^ Irigaray, Luce (1999). The Forgetting of Air in Martin Heidegger. University of Texas Press.
  8. ^ Ives, Kelly (2016). Cixous, Irigaray, Kristeva: The Jouissance of French Feminism (European Writers). Maidstone, Kent: Crescent Moon Publishing. p. 28. ISBN 978-1861715470.
  9. ^ Irigaray, Luce. (1992). Elemental passions. New York: Routledge. ISBN 0415906911. OCLC 27376081.
  10. ^ "Luce Irigaray (1932?—)". Internet Encyclopedia of Philosophy.
  11. ^ Commire, Anne; Klezmer, Deborah (2007). Dictionary of Women Worldwide: 25,000 Women Through the Ages. Vol. 1. Yorkin Publications.
  12. ^ a b c Irigaray, L. (1998) [published elsewhere in 1985]. "Women on the Market". In Rivkin, J.; Ryan, M. (eds.). Literary theory, an anthology. Malden, Mass: Blackwell. pp. 799–811. ISBN 9780631200291.
  13. ^ Delphy, Christine (2001), L'Ennemi principal, tome 2: Penser le genre (in French)
  14. ^ Fielding, H. (2003). "Questioning nature: Irigaray, Heidegger and the potentiality of matter". Continental Philosophy Review. 36: 1–26. doi:10.1023/A:1025144306606. S2CID 170564589.
  15. ^ Wayne A. Borody (1998), pp. 3, 5 "Figuring the Phallogocentric Argument with Respect to the Classical Greek Philosophical Tradition", Nebula: A Netzine of the Arts and Science, Vol. 13 (pp. 1–27).
  16. ^ Luce, Irigaray (2017-09-25), "Introduction", To Speak is Never Neutral, Routledge, pp. 1–8, doi:10.4324/9781315084718-1, ISBN 9781315084718, retrieved 2021-10-22
  17. ^ Sokal, Alan; Bricmont, Jean (1998). Fashionable nonsense: postmodern intellectuals' abuse of science. New York: Picador. ISBN 0-312-19545-1. OCLC 39605994.
  18. ^ Dawkins, Richard (1998). "Postmodernism disrobed". Nature. 394 (6689): 141–143. Bibcode:1998Natur.394..141D. doi:10.1038/28089. ISSN 1476-4687. S2CID 40887987.
  19. ^ "Jane Clare Jones on Luce Irigaray: The murder of the mother". New Statesman. 2014-05-14. Retrieved 2021-12-01.

Further reading

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  • Canters, Hanneke; Jantzen, Grace M. (2005). Forever fluid: A reading of Luce Irigaray's Elemental Passions. Manchester University Press. doi:10.2307/j.ctt21216bb. JSTOR j.ctt21216bb.
  • Sjöholm, Cecilia. "Crossing Lovers: Luce Irigaray's Elemental Passions." Hypatia, 2000
  • Robinson, Hilary (2006). Reading Art, Reading Irigaray: The Politics of Art by Women. I.B. Tauris.
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